Sherwood Forester  Issue 1 - September 2003


In this Issue: - Editorial comment
Welcome to what is our very first edition of the Sherwood Forester, the online magazine of  'The Adventures of Robin Hood' Appreciation Society (RHAS).

Our cover shows a wonderful painting from AF.  Visit 'Never Stop Dreaming - an online sketchbook' on our main web pages for more.

Episode Review - The Coming of Robin Hood AF reviews the very first episode.
Episode Review - The Wanderer AF discusses her favourite episode.
Guest Profiles  - Paul Eddington Also in this issue is a profile on Paul Eddington, who turned  up in all manner of roles in the series, including Will Scarlet.  Paul is probably better known in recent years for his roles in 'The Good Life' and 'Yes Minister'.
Trivia Spotted on the Web!
Reviews - Videos, DVD's and Books In this issue we have three book reviews for you.  Jeffrey Richards' "Swordsmen of the Screen: From Douglas Fairbanks to Michael York", Stephen Knight's – “Robin Hood: A Complete Study of the English Outlaw” and "The Adventures of Robin Hood - Book One".
Letters (emails to the editors) I always wondered how first issues of magazines always had letters to the editor.  Must have been made up, so we don't have any for you this time, reader, however let's have your feedback, questions or suggestions for our future issues.  Please do not hesitate to email us at mike_rhas@hotmail.com.


Episode Review - The Coming of Robin Hood

“Robin of Locksley, a knight bold and good,
Back from the Holy Wars, becomes Robin Hood”

Screenplay: Eric Heath
Director: Ralph Smart

Cast:
Leo McKern – Sir Roger de Lisle
Gerard Heinz – Count de Severne
Alfie Bass – Edgar
Norman MacOwen – The gatekeeper (Tom)
Susan Richards – The gatekeeper’s wife (Martha)
Willoughby Gray – Gilbert
Gabriel Toyne – Sheriff’s clerk

Robin of Locksley, the son of the Master of the King’s Foresters, returns home from the crusades to claim his inheritance after his father’s death.  He finds that Locksley Hall had been taken over by Sir Roger de Lisle, who maintains that Robin is an impostor, and that the real heir to the Locksley estate had been killed in the Holy Land.  Robin spends the night in Sherwood Forest, and in the morning he rescues Edgar the poacher from cruel punishment about to be administered by the foresters.  It is from Edgar that Robin learns about the outlaws living in Sherwood.  Robin seeks justice at the Sheriff’s office, and the visit seems to bring the desired result – a meeting is arranged for Robin and Roger de Lisle to sign the necessary documents, and to hand over the property. But Robin discovers that his life is in danger: Sir Roger’s crossbowman is lurking in the shadows, waiting for a convenient moment to strike.  In the end it is Roger de Lisle who is killed by a crossbow bolt, and Robin gets the blame.  He escapes, and seeks out the outlaws of Sherwood, with the intention of joining their band.  At first they suspect him of being a Sheriff’s spy, but Edgar the poacher (now an outlaw) persuades them to give Robin a chance. Robin proves his worth in the next episode – “The Moneylender”.

 

                        ***

 

“Who thundering comes on blackest steed,

With slacken’d bit and hoof of speed? (…)

The foam that streaks the courser’s side

Seems gather’d from the ocean-tide:

Though weary waves are sunk to rest,

There’s none within his rider’s breast…”

George Byron – “The Giaour”

In the opening scenes of the first episode a striking figure appears, in an enormous dark cloak with a hood; the cloak covers his mouth, so that only his eyes are visible. The image carries a suggestion of mystery and exoticism: here is a Romantic hero who arrives unexpectedly, alone and unrecognised, like Lord Byron’s Giaour; a figure resembling an Arab horseman from a painting by Eugène Delacroix or Jean-Léon Gérôme. The intense gaze of those dark eyes speaks volumes… What are the thoughts of the returning warrior, when he sees his home for the first time after years of absence?  Of his father who died when he was away?  Of childhood friends?  Was there a time when he thought he would never see Locksley Hall again?

And then there is Robin’s dramatic entrance during the feast at the manor house, when the page announces his name, and the music stops suddenly.  The guests’ faces have shocked expressions, as if they had seen a ghost… They did not think he would be coming back.  Had a message come from the Holy Land that he was “missing in action”?  Or that he was so badly wounded, he was not expected to survive?  We can only guess… (A.F.)

 
Episode Review - The Wanderer

“Joseph helps an outlaw’s son,
And is the Sheriff’s enemy,
But Robin’s duel is swiftly won,
And both escape scot-free”

Screenplay: Albert G. Ruben
Director: Bernard Knowles

Cast:
Karel Stepanek – Joseph of Cordoba
John Longden – Sir Walter de Lys
Willoughby Gray – First healer
John Dearth – Second healer
Victor Woolf – Derwent (curiously, it says “Edward” in the credits)
Arthur Skinner – Reveller (Tom)
Paula Byrne – Derwent’s wife (again, “Edward’s” in the credits)

Joseph of Cordoba, a healer, passes through Sherwood on his way to see a patient (Sir Walter) in Nottingham, and meets Robin for the first time. Joseph’s methods of treatment are considerably more advanced than those of  the local charlatans, and they, fearing competition, report to the Sheriff that Joseph treated an outlaw’s family member. The Sheriff issues a decree that “anyone who offers medical attention to the family of an outlaw shall be banished from the shire”. Meanwhile, Friar Tuck brings bad news to Sherwood: Derwent’s son has been injured in a fall, and none of the healers would treat him. Robin sets off to Nottingham, to ask Joseph for help. He is recognised by one of the guards, but manages to reach Joseph’s house. He hides there, while Joseph hurries to attend to Derwent’s son. Afterwards Joseph is arrested by the Sheriff’s men, and told to leave the town before sunrise. Derwent’s wife manages to warn Robin, who is chased by the Sheriff’s men through the streets of Nottingham, and a sword-fight with the Sheriff follows (with spectacular shadows on the wall). Robin travels back to Sherwood in Joseph’s cart, hidden under books. Joseph goes on his way - but he returns to Sherwood in “The York Treasure”.

I believe that the wise and gentle Joseph of Cordoba is one of the nicest characters in the series. “I’d like to be a pessimist,” says Joseph, “but this is a luxury I cannot afford”. It seems that he and Robin understand each other very well…

I think the songs are worth a mention. There are two in “The Wanderer”: The first one, “Man is for the woman made”, is a shorter (and slightly altered) version of a 17th century song by Peter Anthony Motteux, with music by Henry Purcell, and is sung (beautifully) by the outlaws sitting around a campfire. In “The Coming of Robin Hood” the very same tune can be heard during the feast in Locksley Hall, just before the unexpected return of the rightful owner…

The other one, “Let the brown ale flow”, is most probably a folk song (sung by Tom the reveller; Robin joins him, pretending he is drunk, too). We can hear that tune for the first time in “The Coming of Robin Hood”, and then – in “Dead or Alive”, with different words. And nobody knows for certain what the words are…

“The Wanderer” is one of my favourite episodes; I especially like the night time sequences in Nottingham, with the torch-lit streets and mysterious shadows. The lighting and the music create the atmosphere of tension and threat. And Robin is the perfect Romantic hero – a tall figure in a long, dark cloak… But later, when he reaches Joseph’s house, exhausted, and admits that he does not have a plan of escape, he seems very real, and vulnerable – someone you can not only admire, but sympathise with, too. This is how I have always remembered Richard Greene’s Robin Hood, and the memory of those scenes has stayed with me for nearly forty years… 

(A.F. - with thanks to Viv for information about the Purcell song.)


Guest Profile - Paul Eddington
1950’s

Paul's first entry into the medium of television was in an episode of Dixon of Dock Green, "The Rotten Apple" (1955), in which he played a crooked constable with a strange West Country accent, being ordered by Jack Warner's Dixon to remove his jacket so that he can be arrested as a civilian.  "There's nothing in the world worse than a rotten copper!  It's the lowest thing on Gawd's earth!"  

Paul was then to play many minor roles in The Adventures of Robin Hood (1955-59), eventually getting to play Will Scarlett in the final series. 

 

 

 

 

1960’s

In 1963 Paul was in The Spread of the Eagle with Peter Cushing.

ITC, the producers of The Adventures of Robin Hood, moved into contemporary action in the 1960’s, and so Paul with Sheffield Rep colleague Patrick McGoohan appeared in both Danger Man/Secret Agent, "I'm Afraid You Have The Wrong Number" (1965), and the first episode of The Prisoner, "Arrival" (1967), plus The Champions, "Autokill" (1968). 

In 1968, he was in the original production of Alan Bennett's Forty Years On, with Sir John Gielgud and Bennett himself; he was to later take over Gielgud's role in the highly praised 1984 revival.

One of Paul’s few film roles was in the Hammer production The Devil Rides Out/The Devil's Bride (1968, with Leon Greene and Peter Swanwick).

1970’s

There were regular support roles in Hine (1971) which he described as "a distinctly unthrilling thriller" and Special Branch (1971-74), a standard police series in which he played “a high-powered, toffee-nosed civil servant".

Then came The Good Life (BBC, 1975-78), with Richard Briers, Penelope Keith and Felicity Kendall, a very popular comedy, Paul playing the husband of the snobbish neigbours.  In the US another sitcom of the same name (with Larry Hagman) existed, so it was retitled Good Neighbors.

1980’s

In 1980, Paul was to take the part of the well meaning, but gormless politician Jim Hacker, who was constantly out-smarted by his smooth talking civil servant played by Nigel Hawthorne, in Yes Minister (BBC, 1980-84).  The comic timing was brilliant, and the depiction of political buck-passing was incredibly accurate. A special, "Party Games" (1984), ended with the immortal words, ‘Yes Prime Minister’, which was to become the title of the next series (1986-88).

Margaret Thatcher, who was a fan of the series and of his role in that series, awarded Paul the honour of Commander of the British Empire in 1987.  

1990’s

Paul’s next role was the part of Richard in the controversial mini-series, The Camomile Lawn (1992).

In 1994 he made his last West End appearance with Richard Briers as two mental patients in the tragic comedy Home when he already knew he was dying.

Early 1995 saw the release of his autobiography So Far, So Good.

However since the early 1970's, Paul had been bravely and secretly battling a rare form of skin cancer, which now became disfiguring and cut short his life and career on the 4th November 1995 age 68.  Paul had only made known his condition the previous year when tabloid newspapers had suggested that he had Aids.

Just before his death Paul had given an interview in the BBC’s Face to Face series in which he supplied his own epitaph, "He did very little harm."

Paul was married to Patricia Scott and together they had four children (3 sons and a daughter).

(M.S.)

Sources: -

Friends remember good life and times of Paul Eddington by Rob Scully, The Telegraph, March 1st 1996.    

Associated Press (1995)

www.theavengersforever.co.uk (Gavin Gaughan) 

 

 


Trivia
We are looking for anything unusual, these items were spotted on the web by fellow outlaw Pauline.

 


Book Reviews
Jeffrey Richards - "Swordsmen of the Screen: From Douglas Fairbanks to Michael York"; Routledge, London, 1977

“…at their best, the swashbuckling films brought to life the heroic dreams and romantic fancies that are the heart of the folk tradition of the English-speaking world. To see them today, their power undimmed by the years, is to recapture not just the golden, carefree days of childhood but also lost ideals and vanished virtues…” (J.Richards).

A brilliant introduction to costume adventure films, written by an enthusiast. In the opening chapter J. Richards traces the origins of swashbuckling back to medieval romances of chivalry and Romantic literature of the 18th and 19th centuries. He then goes on to describe a great number of films, made in Britain and the USA in the first half of the 20th century - about knights, outlaws, highwaymen, pirates, etc. “The Adventures” get a favourable mention (with the number of episodes given as 165…), and there are some photos of Richard Greene, in different films. Unfortunately, out of print, but can be ordered from the library, and definitely worth reading.
  (A.F.)

 



Stephen Knight – “Robin Hood: A Complete Study of the English Outlaw”; Blackwell, Oxford, UK and Cambridge, USA, 1984

Everything you need to know about Robin Hood in fiction – from the early ballads, through theatre performances, Romantic poetry, Victorian novels, to the present day films and TV.  Professor Stephen Knight is one of the greatest Robin Hood experts, and he believes that the existence of a real, historical Robin Hood is irrelevant to the development of the myth – in other words, that the story has a life of its own, and the fictional Robin Hood characters created by writers and film-makers are just as important as a subject of study as any historical figure that might have existed.  We learn how Robin Hood has changed with the times, and how the stories reflect the outlook, attitudes and concerns of the historical periods in which they were created.

There are some interesting observations about “The Adventures”, but also some remarks that I found… surprising.  On page 3 we read (about films): “Robin is always played by a conspicuously handsome man, from the dash of Douglas Fairbanks Senior, through Richard Greene’s winsome plumpness…” and again, on page 233 (about “Sword of Sherwood Forest”): “Peter Cushing played the sheriff to good effect, but Richard Greene was a somewhat overweight hero”… Is there any truth in this?  Even if there were – well, such comments are unnecessary and unkind, and, with all respect to Stephen Knight, I do not think I can ever forgive him!  So, Professor Knight – beware; there is a lady outlaw here who has an arrow aimed at your heart…   (A.F.)  

 

The Adventures of Robin Hood - Book One 

            

Well this has to be one of the first ever television spin offs.  A great book with 60 pages with the majority of the pages either having a black and white or colourised photograph from the series.  Particular favourite of mine above, showing the arrival of Little John as Robin's second-in-command.  Story is compilation of the first series and has extracts from the following episodes: -

The Coming of Robin Hood/Dead or Alive/A Guest for the Gallows/Maid Marian/Will Scarlett/The Challenge/Checkmate/A Husband for Marian/The Jongleur  (M.S.)

 


In our Next Issue
Well we do hope you have enjoyed this our first magazine.  We plan to produce our next edition in time for you to enjoy over the Christmas holidays. 

Planned articles include: -

Music and Robin Hood (working title).

Guest Profile on Bill Owen (better known for his role as Compo in 'Last of the Summer Wine'.